The Jewel That Whispered Desire, Sparked Fantasy, And Kindled Romance Through The Ages

Beneath the searing sun of the Deccan plateau, the Golconda mines yawned like dark, hungry mouths in the earth. Dust rose in choking swirls, mingling with the acrid scent of sweat, iron, and toil. Slaves moved in tireless rhythm, each swing of pick and hammer striking against the unyielding rock, each drop of blood and sweat a payment for survival. Among them, a grown man, his skin scorched and streaked with grime, labored with slow, deliberate precision. Hunger clawed at him with gnawing teeth, but deeper still, a restless longing stirred—a quiet fire he barely acknowledged.

And then, a flash of light. His pick struck a fissure, and there it lay: a diamond, perfect, radiant, as though it held the sun imprisoned within its facets.

He knelt, breath trembling. “By the gods… what marvel is this?” he whispered, and instinctively pressed the gem to his chest. A thrill surged through him, a mixture of awe and a heat unlike hunger. He imagined the diamond against his skin, its cold brilliance igniting a warmth deep in his belly. In the dim tunnels, visions flickered—soft lips against his ear, a hand tracing the line of his arm, the press of a body he had never touched, yet suddenly longed for with a ferocity that startled him.

Heavy boots clattered across stone. The master’s voice, sharp and cruel, split the silence. “What dost thou gape at, dog of man? Think’st thou the earth itself shall give thee gifts unearned?”

“It is no shadow, Master… ’tis a stone of fire, a brilliance that might shame the sun,” the slave replied, hiding the gem with trembling hands.

The master seized it, his rough fingers caressing its smooth facets. Desire flared in his eyes—not merely for the wealth it promised, but for a more intimate hunger. In his mind stirred the image of the lady of his household, delicate and supple, her gaze lingering on him as he imagined tracing the diamond along the curve of her shoulder, fingers following the gem’s fire as her skin shivered beneath his touch. He felt a pulse, a longing he had never allowed himself, a rush of want that made his own body taut with heat.

“You findest treasure, and what dost thou earn?” he barked, voice rough as iron. “A trifle more rice, nothing else!” Yet even as he turned the gem over, he shivered, recalling the warmth of a soft hand on his own, the whisper of lips in dark halls, the imagined brush of silk against skin. The diamond had become an accomplice to forbidden desire.

That night, in the cold darkness, the slave let his imagination roam. He pressed the diamond to his lips in secret, envisioning it against the curve of a woman’s breast, imagining her soft sigh as his fingers traced the contours of her body. Each facet reflected a flicker of passion in his mind—an impossible intimacy, fleeting yet unforgettable. He had never touched such tenderness in life, but the diamond promised it, almost tasting it in his fantasies, teasing him with sensations that made his body ache with longing.

From the mines, the diamond passed to a trader in Madras, who handled it with trembling reverence. In the glow of candlelight, he traced its facets, imagining a lady at his estate leaning close, breath warm against his neck as his hands followed hers, exploring skin and silk alike. Desire surged in his chest, a tide of unfulfilled longing. He whispered, almost to the stone itself: “Thou art fire… thou awakenest a want that cannot be stilled.” For nights, he dreamed of fingers brushing hers, lips brushing lips, a fleeting intimacy mirrored in the diamond’s brilliance. And yet, commerce demanded its departure. He sold it, feeling the ache of loss as keenly as desire, knowing the passion it had awakened would linger longer than the gem itself.

The European voyager, crossing endless seas, received the diamond with a shiver of anticipation. In the solitude of night, he imagined a lady at court, fingers tracing the gem while his own followed hers. He pictured whispered words in shadowed corridors, the heat of bodies pressed together, the spark of forbidden love intensified by the diamond’s fire. “By God’s grace, ’tis more than mere stone,” he muttered, holding it close. “It is flame, and I am consumed.” Waves crashed beneath him, but the fire within the diamond was relentless, stoking fantasies of nights that would never be his to live, only to imagine. And then, chaos struck: pirates, swords flashing, fire, and screams. The gem vanished, taking his longing with it, leaving behind an ache that no distance, no storm could wash away.

The pirate, a rough man of salt and sun, found the diamond in the moonlight. Even in his coarse mind, fantasies stirred—soft lips against his, the warmth of flesh, whispers in the dark. He imagined stolen nights with a woman whose body trembled beneath the fire of their mutual desire, each touch echoed in the facets of the gem. Yet possession was fleeting; the stone vanished again, buried beneath roots and earth, a sleeping flame awaiting its next witness.

When the diamond reached the European lord, desire became exquisite, intoxicating. He held it between himself and his mistress, and the world seemed to shrink to the heat of their bodies. “See how it draws the gaze, as thou dost mine,” he murmured, voice hushed, lips brushing the curve of her neck. “Even its coldness brings heat I cannot quench.”

She traced its facets with delicate fingers, shivering. “It whispers… it knows our longing… even it trembles with what I feel for thee.”

Together, they explored desire through the prism of the diamond: fleeting touches mirrored in its fire, whispered promises amplified by its brilliance, nights spent in mutual heat and breathless fascination. The stone bore witness to their intimacy, silent yet intimate, a partner in passion, a spark that made every kiss, every sigh, every touch more electric. Each facet reflected heat and shadow, and the gem seemed almost alive, feeding the fire between them.

Centuries passed. The diamond vanished into myth, its fire dormant, until the modern world called it forth once more. At a glittering auction house, under chandeliers that scattered light across velvet cushions, it rested, perfect, radiant. The crowd felt it immediately: a current of longing, desire, and fascination running through their hearts.

Women gasped, hands clutching chests, imagination ignited. In the brilliance of the gem, they imagined lovers’ hands on skin, whispered words of intimacy, stolen nights where desire could be unbound. Men, too, felt the pull, imagining secret embraces, heated glances, passionate trysts mirrored in the diamond’s facets. The air thrummed with unspoken lust, longing, and the ache of fantasies unfulfilled for centuries.

“By heavens… this is more than mere jewel!” one woman murmured, leaning to a companion. “I feel… a warmth, a want, as though it is calling my very soul.”

“It draws me… and yet it fleets,” whispered another, trembling. “I would… I must… possess but a fragment of its fire.”

The auctioneer’s voice rang, commanding yet musical: “Lot number one: a diamond of unparalleled history. It hath crossed oceans, survived pirates, inspired love, lust, and obsession alike. Shall we begin the bidding?”

Hands shot up. Numbers flew. Breath quickened. The diamond’s fire seemed to pulse, synchronizing with the rapid heartbeats of every person in the room. Desire layered upon desire, centuries of passion echoed in the gasps, the flushed cheeks, the shivering hands. Women imagined delicate touches, fingers tracing the gem’s fire across their lover’s skin; men imagined the thrill of stolen intimacy, the ache of impossible passion made manifest in facets of light.

The bidding climbed. A murmur of longing ran through the crowd like wildfire. Eyes lingered on the gem, hearts thrummed in resonance, pulses accelerated. Desire was no longer personal—it was collective, flowing through the room in waves, carrying centuries of erotic fantasy, romantic yearning, and forbidden lust. Some clutched each other, breathless with heat and imagination; others trembled, caught in a current they could neither resist nor name.

Finally, the hammer fell. The diamond passed into the hands of a mysterious buyer, cloaked in shadow. Whispers followed: envy, fascination, unfulfilled longing. Was this buyer only an agent representing the real buyer? Was the real buyer a lady? And why did the buyer bid for such a huge amount? No one had any idea. 

Outside, neon lights danced off its surface as it vanished into secrecy, yet the fire remained undimmed. It waited, patient, for the next heart to ignite, the next imagination to set aflame.

From the sweaty palms of a slave to the trembling fingers of women centuries later, the diamond had carried desire itself. It inspired lust, passion, erotic imagination, and tender love, yet was never truly possessed. Wherever it shone, it stirred hearts. Wherever it rested, it whispered of pleasures just beyond reach.

It was never merely stone. It was fire. It was longing. It was the echo of every heart ever touched by its brilliance, and it would endure, eternal, sensual, insatiable!

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The Alabaster Chalice of Eternity

When twilight veils the empyrean in sable,

And argent stars convene in silent thrall,

Thy gaze, a lodestar, rends the mortal fable,

And drags my reason helpless to its thrall.

Thy lips, ambrosial, pour their molten flame,

A tincture rare that scalds yet soothes the vein;

Each whispered sigh thou breath’st ignites my name,

And stirs the dormant tides of sweet disdain.

O pour the ruby philter on my tongue,

Where mortal grief dissolves in scarlet streams;

Ere Aurora’s chariot hath yet been sung,

I quaff the draught of thee, the realm of dreams.

Thy touch, a fugue of fire and silken sighs,

Maps sinuous rivers on my trembling skin;

Each caress, a secret prism where it lies,

And every throb a universe within.

Beneath the moon’s aureate, languorous glow,

Our shadows intertwine in sacred mesh;

A symphony of pulse, of breath, of flow,

Where flesh and spirit in exquisite throb enmesh.

No tyrant hour, nor scythe of mortal fate,

Can sever what the cosmos wrought in fire;

In thy embrace, all kingdoms dissipate,

And every stolen instant flames desire.

Thy body, lithe as nocturnal rivers gleaming,

Conceals infinity in every fold;

And in the furnace of our midnight dreaming,

The cosmos whispers secrets, hot and bold.

O let us dwell in ecstasy’s abyss,

Where every sigh becomes a sacrament;

Each trembling limb, each quivering, stolen kiss,

A testament to rapture’s firmament.

The rose of night unfolds beneath our breath,

Its petals perfumed with our crimson sin;

Each touch a covenant that mocks pale death,

And summons every dormant joy within.

O pour the wine of stars into our veins,

Till time dissolves its iron-clad decree;

Each drop a spark, unchaining mortal chains,

And kindling all the fervent ecstasy.

O vesper, drape thy diaphanous array,

And gild our bodies with thy amber fire;

Let shadows mingle, tremble, and obey,

Where every sigh becomes a mute desire.

Our hearts, like alchemists, transmute the night,

Into a furnace of voluptuous flame;

No scythe, no frown, no tyranny of light

Can dim the incandescent of our name.

Beneath the canopy of jeweled skies,

We drink the draught of secret, sacred wine;

Each pulse, a universe, each moan, a rise

Of rapture’s tide, ineffable, divine.

The nightingale, in silvered boughs, doth sing

A requiem of fervor, soft and slow;

While every star conspires to bind and bring

Our shadows closer in their argent glow.

Thy form, a map of rivers, flame, and fire,

Guides me through labyrinths of molten bliss;

Each curve, a revelation, each desire

A whispered incantation, consecrated kiss.

O let us linger where eternity bends,

Where mortal hours are molten, swift, and frail;

Till every sigh a constellation sends,

And every breath becomes a crimson trail.

O love, thou sovereign of the chalice bright,

Thou art the philter, furnace, and the flame;

In thee, the body and the soul unite,

And mortal dust remembers but thy name.

Let vesper linger, let the stars conspire,

To gild our rapture in their argent rays;

Till wine, and moon, and pulse, and secret fire

Transform our hours into immortal days.

So let us quaff the chalice of delight,

Till time dissolves, and mortal bounds are gone;

Each sigh, a prism; each embrace, a rite;

Each kiss, a spark upon the argent dawn.

O let our hearts, like alchemists, transmute

The shadowed world into a sea of gold;

Where passion reigns, where flesh and soul commute,

And love defies the winter, cold and old.

Beneath the night’s empyreal, jeweled dome,

Our souls entwined, in fervor and in wine,

We taste eternity, yet call it home,

And find the infinite within the spine.

O crimson chalice, ever flowing, deep,

Thou art the furnace of our sacred night;

In thee, all mortal care dissolves, asleep,

And every pulse is consecrated light.

Then drink with me, where shadows intertwine,

Where every moan is music, every breath.

A universe, a prism, and a sign,

That mortal clay may dance defying death.

O love, thou art the secret and the flame,

The alchemy that makes all darkness bright;

And in thy incandescent, sacred name,

The stars themselves would bow to our delight.

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Regretting You (2025): A Radiant Reverie on Grief, Forgiveness, and the Labyrinthine Bonds of Family - A Review

There are films that entertain, and there are films that excavate — that delve beneath the superficial topsoil of sentiment to unearth something raw, unvarnished, and luminously human. Regretting You, the 2025 adaptation of Colleen Hoover’s eponymous novel, belongs to the latter category. Directed with a contemplative tenderness by Josh Boone, and anchored by transcendent performances from Allison Williams and McKenna Grace, the film emerges not merely as a domestic drama but as a cinematic elegy — a lyrical meditation on loss, betrayal, and the redemptive alchemy of forgiveness.

From its opening frame, Boone’s directorial hand is both deliberate and delicate. The film unfurls with a languorous rhythm, eschewing the histrionic tropes that so often plague literary adaptations in favor of a tone that is measured, immersive, and quietly symphonic. The narrative orbits the strained yet indelible relationship between Morgan Grant, a woman who has sublimated her own aspirations in the service of domesticity, and her teenage daughter Clara, whose burgeoning independence mirrors the emotional fissures widening within their home.

The film’s inciting tragedy — a car accident that eviscerates their familial equilibrium — is rendered with devastating restraint. Rather than indulging in spectacle, Boone opts for emotional chiaroscuro: grief manifests not through grandiloquent monologues but through silence, through the minute tremor of a hand, the half-swallowed syllable of a word unsaid. The result is a portrayal of sorrow that feels palpably corporeal, a wound that bleeds quietly beneath the surface of everyday gestures.

Williams’s performance as Morgan is a study in composure and internal combustion. She embodies a woman suspended between indignation and inertia, her every movement steeped in repressed ferocity. There is a gravitas to her restraint; her grief is not a tempest but a slow, relentless tide that erodes her certainties. Williams resists the temptation to sentimentalize, choosing instead to inhabit Morgan’s contradictions — her strength, her fragility, her unspoken despair — with verisimilitudinous precision.

Opposite her, McKenna Grace delivers a performance of astonishing maturity. Clara is mercurial, volatile, and incandescently alive; she vacillates between teenage petulance and precocious wisdom, embodying the very dialectic of adolescence. Grace’s expressive volatility gives the film its kinetic pulse. In her eyes, one glimpses the protean tumult of youth — that combustible mixture of rage, bewilderment, and aching tenderness. The scenes between mother and daughter are suffused with both abrasion and affection, their love rendered as a paradox: combustible yet inextricable, destructive yet redemptive.

Boone’s aesthetic sensibility leans toward the poetic and impressionistic. The cinematography — awash in warm, diffused hues — imbues the film with a kind of visual melancholia. Light and shadow interlace like memory and regret, creating a tactile sense of atmosphere that feels almost synesthetic. There are moments when the screen itself seems to breathe — when the sunlight filtering through curtains or the languid drift of dust motes becomes a metaphor for the impermanence of human connection. This is cinema not as spectacle, but as sensory invocation.

The score, composed with elegant minimalism, mirrors the film’s emotional cadences. Sparse piano motifs and subdued strings punctuate the silences, never dictating feeling but amplifying its reverberations. Boone demonstrates a near-musical sensitivity to rhythm; each scene crescendos and decrescendos with organic inevitability, as if the film itself were inhaling and exhaling grief.

The screenplay, adapted by Susan McMartin, is a triumph of emotional economy. In transmuting Hoover’s introspective prose into dialogue, McMartin retains the novel’s emotional sinew while pruning its excesses. Her script is replete with subtextual resonance — conversations unfold as verbal chess matches, where what remains unspoken often carries more weight than what is articulated. The writing is imbued with an acute awareness of emotional topography: grief as terrain, forgiveness as pilgrimage.

What distinguishes Regretting You from the glut of sentimental dramas is its refusal to sensationalize pain. The film understands that sorrow is not theatrical but quotidian — it resides in the quotidian rituals of survival, in the muted choreography of two people learning to coexist with what can never be repaired. There is a profound humanism at work here, an empathy that extends even to the film’s most morally ambiguous characters. Boone’s lens is compassionate yet unflinching; he observes without judgment, allowing each character to reveal their own fractures and frailties.

As the narrative progresses, Regretting You metamorphoses from tragedy into catharsis. The gradual thaw between Morgan and Clara is handled with exquisite restraint — no sudden reconciliations, no overwrought declarations. Instead, there is a slow accrual of gestures, glances, and half-spoken apologies that culminate in a final act of quiet grace. In an era of bombastic storytelling, such measured emotional calibration feels almost radical.

Thematically, the film is preoccupied with the inheritance of regret — how the emotional residues of one generation seep into the next. It interrogates the ways in which secrecy corrodes intimacy, and how forgiveness, though arduous, becomes the sole antidote to despair. In this regard, Regretting You transcends the confines of its narrative; it becomes a mirror held to the audience, reflecting the universal human desire for absolution and connection.

Boone’s direction occasionally verges on the meditative, bordering on the hermetic. Some viewers may find the pacing languid, the emotional restraint verging on opacity. Yet therein lies the film’s integrity. It refuses the expedience of catharsis, insisting that healing is neither instantaneous nor absolute. The film’s denouement does not offer resolution so much as reconciliation — an acknowledgment that love, like grief, is perpetually unfinished.

The visual composition reinforces this thematic complexity. Boone and his cinematographer employ elliptical framing and muted saturation to evoke emotional ambiguity. Interiors are bathed in autumnal tones, evoking the elegiac quality of fading memory. Exterior shots, meanwhile, are expansive yet introspective — landscapes that mirror the inner desolation of the characters. The camera lingers, not out of indulgence, but as an act of empathy.

If Regretting You has a flaw, it lies in its occasional predilection for narrative symmetry. Certain plot points resolve with almost too much serendipity, as if the film momentarily capitulates to its genre’s conventions. Yet even in these moments, the sincerity of its emotional intent rescues it from sentimentality. Boone’s touch remains tender, his focus unwaveringly human.

In its totality, Regretting You is a luminous tapestry of emotion — a film that whispers rather than shouts, that trusts its audience to intuit rather than consume. It is both elegiac and affirming, intimate and expansive. Williams and Grace, through their performances, render the ineffable visible; they give form to the invisible architecture of sorrow and reconciliation.

As the final scene fades to black, one is left not with devastation but with a quiet sense of renewal — the recognition that even amidst ruin, there persists an ember of hope. Regretting You reminds us that forgiveness is not a conclusion but a continuum, and that love, however fractured, endures in the interstices of regret.

⭐ Verdict: 4.5 / 5

A profoundly affecting, exquisitely wrought meditation on grief and forgiveness. Regretting You stands as a paragon of emotional sophistication — a film of rare tenderness and resplendent humanity, destined to linger in the heart long after its final frame dissolves.

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A premium residential land for sale close to Ambadi junction, Kudamaloor, Kottayam.

                                

This premium residential land, about 31.098 cents, situated in a prime location close to Ambadi junction at Kudamaloor in Kottayam in a lovely residential area is for sale. This land has access to Medical College-Kottayam town by-pass main road and is having all facilities and amenities for daily needs available within a very short distance.   

                                       

 This is NOT a flood-affected area.                                                            

                        

Single owner, well-defined boundaries, and all documents are clear. There is a wide access road at the side beginning from the by-pass main road side in addition to the main road frontage. Schools, hospitals, shops, banks, houses of worship, and bus stops are within easy reach of this peaceful location. Hardly 5 km to Medical College Hospital, about 7 km to Kottayam town, and around 8 km to the M G University. 

                      

                                             

This is the property which is situated about 25 meters from the Ambadi junction bus stop on the left-hand side of the main road at the beginning of the sharp curve on the way to Kudayampady and Kottayam town. 

                                  

  

This land has one fresh water Well at the northeast portion and a water tank nearby. Additionally, there is another freshwater Well on this property. 

The asking price is 6.5 lakhs per cent. The price is negotiable. Only GENUINE BUYERS please.

Please contact Mr Unnikrishnan for more information. His mobile number is 9446139818. Call time 09:00 AM - 05:00 PM. He is a retired BSNL employee. He is not a broker, please note.

* Prime location

* Well water and fertile soil

* Very much suitable for building your dream home.

* Lorry/JCB access

* Lovely residential locality

* NOT A FLOOD-AFFECTED AREA.

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Throwback pictures! The beautiful present moments from the past!

Magnificent views of the Kochi city skyline with the beautiful lights clicked during a boat ride back to the city from Fort Kochi some months back well before the onset of the pandemic! Throwback pictures, indeed! While browsing my portable hard drive today I spotted these beautiful pictures and decided to blog about the wonderful time we had then after spending a beautiful evening exploring the streets of Fort Kochi enjoying vegan food and Sunset at the beach. 

Never thought the tough times would last like this! Missing those beautiful days and how true people say 'enjoy the present', that is the only time we have control upon. But memories are sweet, something to cherish. We can re-live that gone moment, and these pics are meant just for that!

Hopefully, a vaccine will solve this crisis for the whole of humankind so that we all can go back to the good old normalcy. Come what may, we all have to fight and defeat the enemy and eradicate this menace from the world asap! 

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My You Tube Channel

Well, I hope all of my blogger friends are aware of my YouTube Channel which I started some time ago. Thank God, all the videos are getting a lot of views and the subscribers are also increasing.

Please feel free to subscribe to my channel and continue enjoying the videos!

My channel link:
https://www.youtube.com/user/Rajiv5577

Here are some of the videos that have become popular!

Thank you for the support😊 

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The Pavilion at the Cabral Yard - Kochi-Muziris Biennale visit, and evening tea at the Bench Restocafe

The Cabral Yard, one of the venues of the Kochi-Muziris Biennale is just a few yards away from the Aspinwall house, the main venue. The yard is a huge plot surrounded by a compound wall that comes alive during the time of the Biennale. It goes back into its natural state with vegetations growing and as of now, there are no structures built permanently.

The Pavilion is a  creative installation by the Anagram architects designed temporarily at the Cabral Yard which consists of a dome resembling a 'Koothambalam', the apex is simply beautiful! Koothu is an ancient and popular traditional art-form where the main artist performs a certain dance like moves at the same time narrating stories with humor, mostly from the epics,

The concept of this installation is wonderful. Designed in such a way, an easily removed structure erected respecting nature and when the Biennale will be over the structure will be removed and the yard goes into its natural state until the next Biennale. Numerous programs take place during the Biennale here.

What fascinated us is the apex of this magnificent pavilion! Of course, there are iron beams all around somehow e get the feel that these are submerged into the wooden poles, the sky, and natural light illuminating the interior! Marvelous! I was thinking about how beautiful it would be here with moonlight embracing the yard and a star-studded sky visible through the roof! 

It was a very sunny day and we were tired already.  On the way to the beach, we spotted this beautiful cafe, the Bench Restocafe.

 It was refreshing to enjoy a cup of tea after a long and tiring walk!

The bread and butter sprinkled with balsamic vinegar was yummy.

Lemonade with soda!

I do not think anyone would disagree with the fact that Biennale is getting better and better over the years. Fortkochi is witnessing a steady inflow of people from all over the world and the star attraction is Biennale!

http://www.kochimuzirisbiennale.org

http://benchrestocafe.com

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Churros: a lip-smacking dish

During our recent visit to Mumbai, we happened to do some shopping at the Infinity mall in Andheri. As we headed to the food court over there, we spotted this Churros kiosk and decided to try the lip-smacking snack.

A churro is a fried dough pastry. Using a churrera, a syringe-like tool, the dough is squeezed into hot oil and fried. Then powdered sugar is sprinkled over it and the dip commonly used is hot chocolate.

It is said that the recipe was brought to Portugal from China and various modifications are prevalent in different parts of the world. It is a common dish in Spain. More info in the Wikipedia…

This is an amazing dish! Those who love chocolate would surely love this snack.

http://www.infinitimall.com/Dining/Kiosks--Cafes/The-Churro-Co

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Nando's restaurant at the Orion mall, Brigade Gateway, Bengaluru

Nando's chicken skewers, pita, and salsa

Nando's is a popular restaurant chain in India. The above dish is their chicken skewers, pita bread, and salsa. Yummy! The chicken was soft, tasted perfect! The salsa dip was awesome. Bread baked to perfection; what more we could expect after a tiring day walking a lot during our last visit over there two months ago. Whenever we visit Bengaluru (Bangalore) we make it a point to visit the Nando's at the Orion mall, Brigade gateway. 

I like a lot clicking pictures of this lake and the scenery here. The reflection of this magnificent tree and the nearby building always fascinates me. I have already blogged about this mall and other shopping malls in Bangalore before. Click the link at the end of this post.

Orion mall is a popular shopping spot in Bangalore. It is a great experience sitting in the open space overlooking the lake. If you visit here sit here for some time and enjoy the scenery all around!

Nando's cappuccino

Orion mall at the Brigade gateway!

http://www.orionmalls.com

https://www.nandosindia.com

https://magnificentdewdrops.blogspot.com/2013/07/shopping-malls-in-bangalore-south-india.html

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Leopold cafe Mumbai - a place to be...!

I don't think Leopold cafe needs any introduction. This is one of the oldest cafes in the city of Mumbai frequented by the visitors and the natives alike. Anyone visiting Mumbai would have at least strolled in front of it. These pics were clicked from the first floor of the cafe. There were no seats left on the ground floor when we went there the other day during our visit to Mumbai and we got seated upstairs.  

It was really fun watching these boards on the walls of the cafe. The ambiance was wonderful; the crowd awesome!

This cafe was opened in 1871. The Gateway of India, The iconic Taj Hotel are all close to this cafe. There are numerous small shops around here where you can shop. Never miss this place if you happen to visit Mumbai! The cafe is a very busy place!

2008 was a very traumatic year for India. Mumbai witnessed the worst terrorist attack in 2008 that involved important spots like the Taj Hotel, Mumbai CST, and this cafe also was also targeted. So many people were shot here. Life must go on; we must move forward beating all odds. The cafe re-opened within a few days after this tragic incident.

This is nachos with cheese sauce. We did not order any alcoholic drinks. Milkshake, regular tea, lime juice, and hot chocolate were yummy! They serve Continental, Chinese, Indian dishes, drinks, and cocktails so no-one will be disappointed spending time here. Everything yummilicious!

Yummy milk-shake!

Yes, they are getting better and better as days go by!

Check http://www.leopoldcafe.com

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